THE WORLD'S FIRST FACTORY WHERE ALL WORKERS ARE HUMANOID ROBOTSIf the factories of the future are fully automated, like Zeekr’s in China, where humanoid robots do all the work, a big question arises: how will private companies make money if people aren’t working, don’t have incomes, and therefore can’t buy what those factories produce? Right now, the system works because workers earn a salary and spend it, but if robots take over everything, that cycle breaks.
The most talked-about solution is universal basic income, a kind of state-funded allowance so people can live without working. But here comes another paradox: if you get paid just for existing, what incentive is there to strive for more? Some might work to earn extra and improve their lifestyle, but those who rely solely on basic income will become the new poor. They won’t lack the essentials, but they won’t be able to aspire to anything more either. It would be like a modern-day rationing system—you can survive with the basics, but not really live well.
And here’s the key point: in any society, there will always be an elite. If factory owners lose control of the money because no one can afford to buy their products, the state will take over, deciding who gets what and under what conditions. Those who manage this system will become the new gods of Olympus, controlling everything while the rest simply depend on them. Whether it’s through big corporations or an all-powerful state, there will always be a few who hold the reins while the rest rely on whatever they decide.
So, who should govern us—the private sector or the state?
Neither one in absolute terms. If the private sector holds all the power, the relentless pursuit of profit could turn people into mere cogs in a machine designed to enrich the few. But trusting the state blindly isn’t the answer either, because history has shown that when bureaucrats and politicians take full control, things often slide into communist models that fail, suffocating individual freedom and crushing innovation.
The only viable path is balance. The private sector must continue driving progress, technology, and advancements in healthcare, education, and science—thanks to competition and financial incentives. But the state, as the voice of the people, must ensure that progress doesn’t come at the cost of our freedom or dignity. A system where innovation moves forward, but with enough oversight to prevent anyone from becoming a slave to it.
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Smells like petunias with a hint of jasmine.
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She is actress Lena Paul—
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NARCISSISM AND SOCIALMEDIA VOL30It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.
Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.
Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.
Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.
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Today's slow-motion moment.