ALADDIN'S CARPET

Freddy has been practicing base jumping for years and after gaining enough experience, he decided to fulfill a childhood dream.

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The slow-mo of the day.

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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FOODPORN VOL26

A great dish isn't just about taste—it’s a feast for the eyes too. Get ready for a visual banquet that will make you drool and awaken your wildest gastronomic instincts.



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ExtraBall by lucilboy
Today's slow-motion shot.

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NARCISSISM AND SOCIALMEDIA VOL30

It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.

Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.

Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.

Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.



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ExtraBall by vikingo
Today's slow-motion moment.

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ANCIENT CIVILIZATIONS WITH SMARTPHONES

Imagine for a moment that ancient civilizations had smartphones. Instead of artistic carvings on stone or dusty manuscripts, the Mayans, pharaohs, and Roman emperors would have documented their daily lives with video selfies. What would their social media have looked like? What would Leonardo da Vinci have posted on his profile? And what if we had footage of the Titanic sinking, recorded by the passengers themselves?

Well, AI has done exactly that—recreating historical moments with mind-blowing realism, as if smartphones had always existed. From the Mayan civilization to the Victorian era, passing through the Roman Empire and Ancient Greece, these videos bring historical figures to life, capturing key moments through their own "cameras." Thomas Edison filming in his lab, the first woman to fly a plane sharing her achievement, or even the people of Pompeii recording their last day before the eruption of Mount Vesuvius.

Beyond how fascinating and surreal these images are, this opens up a huge opportunity in education. Imagine learning history not through boring books full of dates and names but by seeing the people of the past tell their own stories firsthand. Not just reading about the Library of Alexandria but watching it in its prime. Not memorizing facts about the Persian Empire but listening to its own citizens narrate their history.

With technology like this, social sciences would no longer be that dull subject we used to hate. Instead, they’d become an immersive experience, capable of transporting students directly into the past. History told by the people who lived it, with a level of closeness we could only dream of before.



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ExtraBall by besana
The slow-motion clip of the day.

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WHITE ART

Do you ever feel like you just don’t get art? You’re not alone. A lot of people see it as something complicated, full of interpretations that seem to come out of nowhere.

The truth is, art doesn’t have a single way of being understood. There’s no right answer, and many so-called experts are just repeating what they’ve heard or trying to sound sophisticated—but deep down, they’re just as lost as you.

Art is subjective. Sometimes it hits you, sometimes it leaves you cold, and that’s okay. You don’t have to understand it the way others explain it. If something catches your eye, makes you feel something, or just intrigues you, that’s your connection to art, and it’s just as valid as anyone else’s.

That being said, here we have a guy covering himself in white paint—or some kind of plaster, I don’t even know—and leaving marks on the floor. Is it art? Well, if they say so, sure. But I’m sharing it with you for another reason: watch how a woman from the audience seizes the moment to cop a feel—gloves and all. Honestly, the second video got to me more than the first. The first one is just for context.

Now, if I stick to what I said earlier… does that make the second video art? Well, by that logic, yes—it is.



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I saw fear in his eyes.

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A DETROIT NEIGHBORHOOD FREEZES OVER AFTER A MASSIVE FLOOD

It’s hard to look at the footage and not be reminded of the apocalyptic scenes from The Day After Tomorrow, where paleoclimatologist Jack Hall warns that global warming could trigger a sudden and catastrophic climate shift. Despite his pleas to politicians to take action, the disaster becomes inevitable.

After the video went viral on social media, many are left wondering how there are still people who believe climate change is just a hoax created by political elites to push an agenda and tighten control over the population. What else needs to happen? MY GOD, WHAT ELSE?!



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ExtraBall
The slow-motion moment of the day.

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THE FUTURE OF ROBOTS AND THE EMPLOYMENT DILEMMA

It’s becoming increasingly clear that androids will soon be part of our daily lives, taking on household chores, grocery shopping, and even jobs in factories, logistics, and construction. Automation is advancing with the goal of reducing costs and increasing profits, but this raises a major issue: if robots take over our jobs, where will we get the money to live? If too many people are unemployed, who will buy the products these companies produce?

There are two possible scenarios. One is the creation of a new economic model, where automation forces the implementation of a universal basic income to ensure financial stability for those who can no longer find traditional jobs. This way, consumer spending remains active, and the economy avoids collapse.

The other scenario is a transformation of the job market. Just like the Industrial Revolution eliminated some jobs but created many others, automation could generate new professions we can’t yet imagine. Humans might shift towards creative fields, tech-driven roles, or industries where empathy and human interaction remain irreplaceable.

What’s clear is that if we want a future where robots make life easier without triggering social collapse, we must rethink the economic model. Technology is progressing, but without a strategy for adaptation, the risk of a consumption crisis is real.



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ExtraBall
The slow-motion moment of the day.

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