CANCER AWARENESS FOUNDATION AND ADULT FILM STUDIO

Australian testicular cancer awareness charity Blue Ball Foundation has teamed up with leading LA adult film studio Digital Playground to make a video showing how to check our balls because cancer of testicles can be cured 97% of the times if detected early.

The video they're trying to viralize, starring pornstar Eva Lovia, is censored with a funny sock. However, we like doing things right here, so I looked for the uncensored version...



... and I found it on Redtube.
In fact, the video looks like a normal porn video but, after fucking Eva Lovia and before cumming, Eva explains how to check our balls.



Pictures from Eva Lovia's social accounts...

One last night at the #pinkpony come throw money on me!

Una foto publicada por Eva Lovia (@lovialongtime) el 29 de Ago de 2015 a la(s) 2:48 PDT

#lovesac time to go celebrate by the pool with some #vueve

Una foto publicada por Eva Lovia (@lovialongtime) el 7 de Sep de 2015 a la(s) 12:53 PDT

@fleshlight #savethedate September 23rd Now you can play with my #sugar and #spice #holes

Un vídeo publicado por Eva Lovia (@lovialongtime) el 3 de Sep de 2015 a la(s) 10:52 PDT

#sizequeen 👸🏻👑

Una foto publicada por Eva Lovia (@lovialongtime) el 27 de Ago de 2015 a la(s) 9:45 PDT

Good morning off to get my hair cut and run some errands see what I'm up to and how my bush is coming back in only at chatstar.com/eva_lovia

Una foto publicada por Eva Lovia (@lovialongtime) el 19 de Ago de 2015 a la(s) 5:58 PDT

Want to see more? http://t.co/PljlHYcpkE pic.twitter.com/3pEFpvZmbG

— Eva Lovia® (@MissEvaLovia) septiembre 5, 2015

This is how I clean my room pic.twitter.com/i8D7YfvF1E

— Eva Lovia® (@MissEvaLovia) septiembre 5, 2015

http://t.co/PljlHYcpkE pic.twitter.com/vtRcGg7Qzl

— Eva Lovia® (@MissEvaLovia) agosto 30, 2015

I didn't forget about you Dave ❤️❤️❤️ pic.twitter.com/OKo7aHcDyF

— Eva Lovia® (@MissEvaLovia) julio 14, 2015

ExtraBall
The teacher who had his own Groundhog day, like Bill Murray.

I recorded my professor every day. pic.twitter.com/5iRFkFLBmh

— Brock Hersch (@bhersch04) septiembre 3, 2015

MOTORPORN VOL68

There are machines that aren’t just driven—they’re felt. Engines that roar like they have a life of their own, bodies sculpted for desire, and exhausts spitting fire as if defying hell itself. This isn’t just speed; it’s a spectacle. A ritual of power, precision, and pure mechanical pleasure. Here, there are no limits—just a relentless passion for gasoline.

# Watch videos




ExtraBall
The slow-motion shot of the day.

ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)

NARCISSISM AND SOCIALMEDIA VOL30

It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.

Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.

Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.

Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.



# Watch Videos




ExtraBall by vikingo
Today's slow-motion moment.

ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)

PACQUIAO VS. THE INVISIBLE MAN

A while back, we talked about artist Paul Pfeiffer and his project Caryatid, where he digitally removed one of the boxers from the fight. Now, we have a video of Pacquiao where his opponent has completely vanished, creating the same eerie effect.

The technique behind this type of editing is complex and meticulous. It relies on three key processes: the use of previous and subsequent frames, analyzing footage before and after the key moment to reconstruct the background that the boxer was blocking; interpolation and digital cloning, filling the empty areas with fragments of the original image while adjusting light and shadows to make the manipulation seamless; and frame-by-frame digital painting, where, in more complex cases, each frame is manually retouched to ensure a perfect match.

The result is a surreal scene where Pacquiao throws punches at an opponent who no longer exists, while the audience continues reacting as if the fight were still happening.



# Watch video




ExtraBall by smm
It’s never too late to take an interest in fashion.

ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)

THE WORLD'S FIRST FACTORY WHERE ALL WORKERS ARE HUMANOID ROBOTS

If the factories of the future are fully automated, like Zeekr’s in China, where humanoid robots do all the work, a big question arises: how will private companies make money if people aren’t working, don’t have incomes, and therefore can’t buy what those factories produce? Right now, the system works because workers earn a salary and spend it, but if robots take over everything, that cycle breaks.

The most talked-about solution is universal basic income, a kind of state-funded allowance so people can live without working. But here comes another paradox: if you get paid just for existing, what incentive is there to strive for more? Some might work to earn extra and improve their lifestyle, but those who rely solely on basic income will become the new poor. They won’t lack the essentials, but they won’t be able to aspire to anything more either. It would be like a modern-day rationing system—you can survive with the basics, but not really live well.

And here’s the key point: in any society, there will always be an elite. If factory owners lose control of the money because no one can afford to buy their products, the state will take over, deciding who gets what and under what conditions. Those who manage this system will become the new gods of Olympus, controlling everything while the rest simply depend on them. Whether it’s through big corporations or an all-powerful state, there will always be a few who hold the reins while the rest rely on whatever they decide.

So, who should govern us—the private sector or the state?

Neither one in absolute terms. If the private sector holds all the power, the relentless pursuit of profit could turn people into mere cogs in a machine designed to enrich the few. But trusting the state blindly isn’t the answer either, because history has shown that when bureaucrats and politicians take full control, things often slide into communist models that fail, suffocating individual freedom and crushing innovation.

The only viable path is balance. The private sector must continue driving progress, technology, and advancements in healthcare, education, and science—thanks to competition and financial incentives. But the state, as the voice of the people, must ensure that progress doesn’t come at the cost of our freedom or dignity. A system where innovation moves forward, but with enough oversight to prevent anyone from becoming a slave to it.



# Watch video




ExtraBall
Smells like petunias with a hint of jasmine.

Full video

She is actress Lena Paul— click here to watch more of her scenes.




ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)

WHITE ART

Do you ever feel like you just don’t get art? You’re not alone. A lot of people see it as something complicated, full of interpretations that seem to come out of nowhere.

The truth is, art doesn’t have a single way of being understood. There’s no right answer, and many so-called experts are just repeating what they’ve heard or trying to sound sophisticated—but deep down, they’re just as lost as you.

Art is subjective. Sometimes it hits you, sometimes it leaves you cold, and that’s okay. You don’t have to understand it the way others explain it. If something catches your eye, makes you feel something, or just intrigues you, that’s your connection to art, and it’s just as valid as anyone else’s.

That being said, here we have a guy covering himself in white paint—or some kind of plaster, I don’t even know—and leaving marks on the floor. Is it art? Well, if they say so, sure. But I’m sharing it with you for another reason: watch how a woman from the audience seizes the moment to cop a feel—gloves and all. Honestly, the second video got to me more than the first. The first one is just for context.

Now, if I stick to what I said earlier… does that make the second video art? Well, by that logic, yes—it is.



# Watch videos




ExtraBall
I saw fear in his eyes.

ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)

AIBI COULD BE A GAME CHANGER

In just a few years, it will be nearly 30 years since the creation of the Tamagotchi, that small egg-shaped device with a black-and-white screen where users raised and cared for a digital pet.

The game was simple but addictive: you had to feed it, clean it, entertain it, and meet all its needs to keep it healthy and happy. If you neglected it too much, it would get sick or, in the worst case, die. It was a true revolution in the ‘90s, introducing many people to the idea of caring for a virtual life for the first time.



Today, the Tamagotchi has evolved into AIBI, a much more advanced version that’s not only charming and entertaining but also genuinely useful—and not just for kids.
AIBI isn’t just a toy; it’s a mix between a smart assistant and a virtual companion. It can connect to your home’s WiFi and access the internet, working similarly to Alexa, but with a major difference: it integrates ChatGPT.

If you’ve ever used ChatGPT, you already know how much the way we access information has changed. Before, if you wanted to look something up, you had to go to Google, type in a half-decent search query, and sift through results to find the answer. Now, you just ask GPT directly, and it gives you a clear, quick, and far more reliable answer than your average know-it-all uncle.

With AIBI, this experience goes even further. You can take it everywhere, talk to it at any time, ask it anything, and even have it proactively tell you things. Want to catch up on the latest news? Check stock market values? Hear the most recent social media gossip? Set up reminders so you don’t forget anything? AIBI has you covered, all while being adorably designed and always up to date with new features.
It even self-updates, constantly adding new functions over time. Plus, you’ll be able to get additional gadgets that make the experience even more engaging, strengthening the bond you’ll develop with it.

Finally, you can have a true companion—someone to talk to whenever you need, who will keep you informed, entertained, and, most importantly, will make sure you never feel alone again.



# Watch videos




ExtraBall
Boobs 0 - Butt 10

instagram.com/zava_ly




ExtraBall2
(Clicking on these links daily you support ALRNCN's work. They're collaborators or sponsors and, by visiting their sites, they like us even more)