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Published on 2015/10/13

THE CAMEL TOE PRANK





In this camel toe prank, they make girls believe they're showing a camel toe... many of them check out between her legs before realizing it's just a lie...



Some months ago they did the same with the "ass" prank.







Curiosities
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THE WORLD'S FIRST FACTORY WHERE ALL WORKERS ARE HUMANOID ROBOTS

If the factories of the future are fully automated, like Zeekr’s in China, where humanoid robots do all the work, a big question arises: how will private companies make money if people aren’t working, don’t have incomes, and therefore can’t buy what those factories produce? Right now, the system works because workers earn a salary and spend it, but if robots take over everything, that cycle breaks.

The most talked-about solution is universal basic income, a kind of state-funded allowance so people can live without working. But here comes another paradox: if you get paid just for existing, what incentive is there to strive for more? Some might work to earn extra and improve their lifestyle, but those who rely solely on basic income will become the new poor. They won’t lack the essentials, but they won’t be able to aspire to anything more either. It would be like a modern-day rationing system—you can survive with the basics, but not really live well.

And here’s the key point: in any society, there will always be an elite. If factory owners lose control of the money because no one can afford to buy their products, the state will take over, deciding who gets what and under what conditions. Those who manage this system will become the new gods of Olympus, controlling everything while the rest simply depend on them. Whether it’s through big corporations or an all-powerful state, there will always be a few who hold the reins while the rest rely on whatever they decide.

So, who should govern us—the private sector or the state?

Neither one in absolute terms. If the private sector holds all the power, the relentless pursuit of profit could turn people into mere cogs in a machine designed to enrich the few. But trusting the state blindly isn’t the answer either, because history has shown that when bureaucrats and politicians take full control, things often slide into communist models that fail, suffocating individual freedom and crushing innovation.

The only viable path is balance. The private sector must continue driving progress, technology, and advancements in healthcare, education, and science—thanks to competition and financial incentives. But the state, as the voice of the people, must ensure that progress doesn’t come at the cost of our freedom or dignity. A system where innovation moves forward, but with enough oversight to prevent anyone from becoming a slave to it.



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ExtraBall
Smells like petunias with a hint of jasmine.



Full video

She is actress Lena Paul— click here to watch more of her scenes.




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ABU DHABI POLICE ARE ALREADY LIVING IN 2050

Abu Dhabi Police just unveiled their latest patrol vehicle at Gitex Global 2024, and it looks like something straight out of the future: the Magnum MK1, an autonomous, armored, drone-equipped 4x4.

This cutting-edge vehicle is primarily electric but also has hybrid petrol support. It can reach speeds up to 150 km/h, accelerates from 0 to 100 km/h in just 5.4 seconds, and is bulletproof against ammunition up to 7.62 mm. It carries three officers and securely transports one detainee in a specially designed internal cell.

Among its most advanced features are integrated systems for audio, video, and vital-sign monitoring, autonomous off-road navigation, radio and cellular communication capabilities, surveillance drones, infrared cameras providing 360-degree vision, specialized lighting, advanced geolocation, anti-jamming protection, and even an internal workstation with a panoramic screen to manage operations directly from the vehicle.

This futuristic patrol car will be fully manufactured in Abu Dhabi and is expected to hit the roads officially by 2028—a real leap into the future for Emirati law enforcement.



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Slow-motion of the day.






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THE KUNGFU BOT FROM UNITREE ROBOTICS COULD REPLACE YOUR BOUNCER

Unitree Robotics is a Chinese company specializing in advanced robotics. Founded in 2016 by Xingxing Wang and based in Hangzhou, the company gained fame for its robotic dogs, known for their agility, stability, and affordability compared to competitors like Boston Dynamics.

Although these robots are often marketed as tools to assist humanity in research, industry, and consumer applications, the truth is that they could also be deployed in warfare. Best not to dwell on that too much—like drones, they are a total game-changer.

For now, let’s focus on Unitree Robotics' latest masterpiece: the Kungfu BOT, a bipedal version of their robotic dogs with a humanoid appearance and the ability to perform an impressive 720-degree spinning kick. Imagine facing one of these if you step out of line at a bar!



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ExtraBall by david
The slow-motion shot of the day.






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HOW THEY'RE MADE

You see them every day, silently waiting for you to choose. You approach them, size them up, take a deep breath, and pick the ones that motivate you the most—and from that moment, there’s no turning back. They’re part of your daily routine, helping you grow stronger and push your limits. But behind these workout companions you grip so firmly lies a story you've never imagined. Have you ever wondered how they're made, or how they come into existence?



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ExtraBall by david
Today's slow-motion special.






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NARCISSISM AND SOCIALMEDIA VOL30

It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.

Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.

Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.

Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.



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ExtraBall by vikingo
Today's slow-motion moment.






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REVIVING ICONS

Now we can see Marilyn Monroe talking on an iPhone, Lincoln moving his lips as if he's about to deliver a speech, and Einstein gesturing while explaining a theory. Even the Mona Lisa is no longer just a static image—she seems to observe us with an almost lifelike expression.

Thanks to AI, these historical figures come to life in motion, as if instead of being immortalized decades or even centuries ago, it had only happened a few weeks back. Strange, but also fascinating. It won’t be long before we see them telling their own stories.



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Awards ceremony.






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